It’s
Sunday, so it’s short story time again, and this week I’ve abandoned Persephone
for Virago and I’m dipping into Sylvia
Townsend Warner’s Selected Short Stories, which are every bit as wonderful
as I hoped they would be. These tales, written between 1932 and 1977, are as
sharply subversive as her other work led me to expect, her prose is faultless,
and the humour is as dark as ever. She’s the antithesis of Angela Thirkell, and
the perfect restorative for those times when you feel you’ve had a tad too much
light-hearted sweetness and a surfeit of happy endings – and even I reach that
point sometimes. Actually, Sylvia Townsend Warner and Angela Thirkell are so
very different that I find it hard to understand how I can like both of them so
very much. I guess it just proves that variety is the spice of life.
In
the first story, A Love Match, we
meet brother and sister Justin and Celia Tizard, both damaged by the horrors of
the First World War, who find comfort and healing in an incestuous
relationship. They fall into it almost by accident. Left alone when her fiancé is
killed, Celia welcomes her brother home on leave, but she cannot bear to listen
to his night terrors as revisits the hellish scenes of the conflict. So she
goes to him, to quiet him, and comfort him, and things go on from there.
After
the war they live abroad for a time, but they return to England, and are
accepted by the residents of Hallowby as a ‘disabled major’ and his ‘devoted
maiden sister’ who seem middle-aged long before they are. They know their
relationship is wrong, but they love each other, and I think they quite enjoy
having a secret life, and the thrill of constantly watching what they do and
say to ensure they are not discovered.
Returning
from their sober junketings, Justin and Celia, safe within their brick wall, cast
off their weeds of middle age, laughed, chattered and kissed with an intensified
delight in their scandalous immunity from blame. They were a model couple.
Years
pass, and life continues: they make friends and involve themselves in the
community. Then Celia receives a series of poison pen letters from someone who
obviously knows about the couple’s illicit relationship. The perpetrator turns out to be a young girl,
who has made advances to Justin and been rejected (or so he says). He promises
to ‘settle’ her, and we never know what happens, but the letters stop, and the
girl is left unharmed (but bad tempered).
If
anyone else has any suspicions they never mention the matter. It is death which
finally exposes the brother and sister. They fall victim to a bomb which hits their
house, and are discovered dead, in bed together, amid the wreckage of their
home. Even then, their kindly neighbours either cannot, or do not want to,
consider the truth of the situation, so they decide Justin must have gone to
comfort Celia during the raid.
It’s
a sad little tale and, like so many short stories, I feel there is a degree of
ambivalence. Was Justin carrying on with pretty little Mary Semple? And do
people realise just how close the major and his maiden sister really are, but
choose to ignore it? And their death seems almost like some kind of retribution
because they have broken a taboo, like something out of an ancient Greek play.
I've not read any of her short stories, but did really enjoy Lolly Willowes for its darkness and satire: I should go and explore further.
ReplyDeleteVicki, I haven't read all of these, but from what I can see many of them are quite dark, and they come at you sideways, if you know what I mean. As I've said before, she's a sneaky writer, because she never quite leads you in the direction you expect.
DeleteThis sounds really good. I don't think I've ever read STW, and, though in general I don't gravitate towards short stories, you have made me want to get hold of this volume. Thanks.
ReplyDeleteHarriet, STW is one of my recent discoveries, and as I'm exploring short stories (I've never been drawn to them in the past) so this book seemed the perfect combination - and it is!
ReplyDelete